QUEBEC-RESEARCH-L ArchivesArchiver > QUEBEC-RESEARCH > 2005-01 > 1106272191
Subject: Excerpt Of History
Date: Thu, 20 Jan 2005 20:49:51 EST
THE MYSTERY of graveyard art & symbols
- grave markers & tombstones -The tombstone, or grave marker, underwent much
the same type of transformation as the cemetery did. The graveyards changed
from the crowded churchyards and charnel houses to the tranquil, park-like
settings of the early 1900’s. Tombstones also started out as crude items that
were used more because of superstition than for remembrance of the dead.
The first grave markers were literally stones and boulders that were used to
keep the dead from rising out of their graves. It was thought, in these
primitive times, that if heavy rocks were placed on the grave sites of the
deceased, they would not be able to climb out from underneath them. As time went
on, a need came for the living to mark the graves of the dead with a reminder
of about the person who was buried there. Many of the markers were made from
wood, or rough stone, and did not last long when exposed to the elements.
Early monuments and grave stones in Europe and in old New England were crude
and were carved with frightening motifs like winged skulls, skeletons and
angels of death. The idea was to frighten the living with the very idea of
death. In this way, they were apt to live a more righteous life after seeing the
images of decay and horror on the markers of the dead. It would not be until
the latter part of the 1800’s that scenes of eternal peace would replace
those of damnation.
Eventually, grave markers, monuments and tombs became a craft, as well as an
art form. In those days, many brick layers and masons began to take up side
jobs as gravestone carvers but soon demand became so great that companies
formed to meet the needs of this new trade. Stone work companies formed all over
the country, especially in Vermont, where a huge supply of granite was
readily available. Many stones and monuments that were carved and cut in Vermont
were done by Scottish and Italian immigrants. The most delicate carving was
done by the Italians though. As children, many of them had trained in Milan,
going to school at night to be carvers. Despite the thousands of statues and
mausoleums that were created, only a few dozen carvers could handle the most
The peak for the new funeral industry and for graveyard art and mausoleums
came in the last part of the 1800’s, the Victorian era. During these years,
American cemeteries were packed with massive and beautiful statues and tombs.
This was a time when maudlin excess and ornamentation was greatly in fashion.
Funerals were extremely important to the Victorians, as were fashionable
graves and mausoleums. The skull and crossbones tombstones had all but vanished
by this time and now cemeteries had become very survivor-friendly. ... and of
course, heartbreakingly sad.
Early grave markers were filled with dark symbols and images of death and
horror.Scantily dressed mourners carved from stone now guarded the doors of the
tombs and angels draped themselves over monuments in agonizing despair. The
excessive ornamentation turned the graveyards into a showplace for the rich
and the prestigious. Many of them became inundated with artwork and crowded
with crypts as the society folk attempted to outdo one another. Gaudy and
maudlin artwork like furniture, carved flowers and life-size (and larger) statues
dominated the landscape. Realistic representations of the dead began to
appear, as did novelty monuments like that of the Di Salvo family in Chicago’s
Mount Carmel Cemetery. This marker portrays the entire family on a round dais...
that spins 360 degrees!A seemingly heartbroken angel drapes herself in
despair over the grave of the deceased.
The gravestones themselves have proven to be just as fascinating to cemetery
enthusiasts. As mentioned previously, the earliest American stones were
copies of the old European ones with skulls, crossbones and death’s heads
decorating their surfaces. Later, carvings on the stone began to represent the grief
of the family and began to make a statement about the life of the person
buried beneath it. As time passed, even the plainest of illustrations began to
take on a new significance.
A variety of different images were used to symbolize both death and life,
like angels, who were seen as the emissaries between this world and the next.
In some cases they appeared as mourners and on other graves, as an offer of
comfort for those who are left behind.
Broken columns, inverted torches, spilled flower pots and funeral urns were
meant as simple images of lives that were ended too soon. Some graves were
marked with the image of an hour glass with wings that represented the fleeting
passage of time or with ferns and anchors that were meant to give hope to
grieving loved ones. Much the same can be said of clasped hands, bibles and
pointing fingers. These symbols direct the mourners to look toward heaven and
know that the worries of the world are now past.
Flowers, like roses or lilies, were common symbols that represented love and
purity or that life is like a blooming flower, never meant to be permanent.
There are other monuments where depictions of discarded clothing, opened
books or forgotten tools have been etched or carved. Such items are meant to
symbolize the fact that the dead have left behind the burdens of life. The
depiction of wheat or a sickle would show the reaping of the soul and the gathering
of the harvest to the next world.
Suns, moons, planets and stars have various meanings in the cemetery, from
that of rising saints to that of glorified souls. They can also signify that
heaven is the abode of the stars and the planets.
Trees, and most especially the famous “willow tree” motif, stood for human
life and the fact that man, like a tree, must reach for the heavens. The
willow itself often stood for mourning. Trees could also have other meanings,
especially when the monuments were made to look like wood. Cemetery visitors can
often find examples of chairs, centerpieces and even entire monuments that
are designed to look like the rough wood of a tree. These markers symbolize
the fact that the tree has died, its life has been taken away, just like the
life of the person the stone honors.
Perhaps the most heartbreaking, and often most eerie, monuments mark the
graves of children. These images include the images of disembodied hands from
heaven reaching down to pluck flowers from the earth and small lambs, lost and
alone. Cribs and beds are sometimes seen, holding the images of sleeping
children, or are often empty, symbolizing that these little ones are gone
forever. Most disconcerting of all are the life-size images of the children
themselves. They stare out at the cemetery visitor with lifeless, and occasionally
Gravestones and markers have a myriad of meanings and symbolize both comfort
and grief... but are they all what they appear to be? Throughout this book so
far, I have suggested the idea that cemeteries and burial grounds can become
haunted. But what about the grave markers that exist within these haunted
cemeteries? Do some of these monuments actually become haunted by the ghosts
who are unable to rest within the bounds of the graveyard?
The annals of ghostlore contain a number of stories about burial markers
that may possibly be more frightening than the tales of the cemeteries where
these stones reside!
This statue decorates the grave of a boy who was never able to walk in life.
His likeness was carved in his wheelchair and the chair now has broken wheels
to show that he has left behind the cares of life.
Grave markers and simple tombstones can play host to a surprising number of
stories and legends. There are stones across America that people claim to
have been not only cursed, but literally move on their own! Is the supernatural
at work, or the darker devices of man’s own imagination? This 12-foot tall
statue stands on the grave of St. Louis druggist Herman Luyties, who fell in
love with the model for the design while in Paris. As she refused to marry him,
he had her likeness carved in stone. It stood in the foyer of his home until
he died. His family then had the statue moved to his grave.
There have been many ghostly tales told about "haunted" tombstones and
- The Flaming Tomb of Josie Arlington in New Orleans. According to legend
her eerie crypt would light up at night as if on fire. It was also said that a
life-sized statue on the steps outside would come to life.
- The Gravestone of John Rowan in Bardstown, Kentucky. The stories say that
Rowan did not want a gravestone when he died and as one was placed on his
grave anyway, it continues to mysteriously fall over, even today.
- The grave monument of Jonathan Buck in Bucksport, Maine is said to be
marked with the image of a witch's leg. Legend has it that Buck was cursed by a
witch who promised to return and dance on his grave.
- In Cleveland, Tennessee, a family that was cursed with accidents and
tragedy is said to have reached out from beyond the grave to stain the walls of
their tomb with blood. The strange stains have never been explained.
- In Illinois, a community mausoleum was haunted by the ghosts of those who
were buried there. Even after the tomb was destroyed, their voices could be
heard in the night and witnesses have reported cold chills on the site.
- The Black Angel that stands on the grave of the Feldevert family in Iowa
City is said to be cursed. Stories have been told that say the statue causes
strange deaths, accidents and more. A number of ghosts have been reported
around the statue at night.
- The likeness of Inez Clarke, who rests in Graceland Cemetery in Chicago,
is said to leave the glass box the statue is enclosed in and wander about the
cemetery during thunderstorms. Legend has it the little girl was killed when
struck by lightning at a family picnic.
There are many other stories of haunted grave markers as well, including one
of the most famous... the story of Black Aggie, which can be found on the
website by following this link. Black Aggie